1000+ questions about gold, silver, and metal leaf; gilding supplies, tools, techniques; edibles; craftwork; and troubleshooting.
Apply gold leaf by preparing the surface, applying the correct size, waiting for proper tack, laying the leaf or foil, brushing excess, and sealing only when needed.
Gold leafing a frame depends on whether the frame is decorative, handled, antique, damaged, or part of a restoration.
For a simple decorative frame, clean and stabilize the surface, fill or smooth defects, seal porous areas, apply size, wait for tack, and lay leaf into the ornament carefully. Carved frames often need small pieces, soft brushes, and patient patching to cover recesses and high points.
For restoration or a high-value frame, match the existing leaf color, karat, bole, surface sheen, distressing, and finish before beginning. Traditional water gilding, oil gilding, toning, and repair are different systems; using the wrong method can make the repair obvious or damage the frame.
Apply gold leaf by preparing the surface, applying the right size, waiting for proper tack, laying the leaf, brushing excess, and sealing only when the material or project requires it.
Beginners often find patent/transfer leaf easier. Loose leaf is traditional and useful for detailed work. Ribbon leaf is efficient for bands, lines, lettering, and long runs.
Exterior projects need high-karat, appropriate-weight gold leaf and the correct system. Imitation/metal leaf needs sealing decisions. Edible gold belongs only on food.